About
A Bit About Me
With over two decades of experience in visual effects, animation, and digital production, I’ve built a career that spans film, television, and advertising. My journey began in Mexico City and has taken me across continents—from studying Traditional Animation and Multimedia in Barcelona to completing a full-time program in 3D Animation and VFX at Vancouver Film School. Along the way, I developed a deep passion for digital storytelling and the evolving technologies that drive it.
Prior to moving to Montreal, I built a solid foundation in both Mexico and Spain, working as a CG Supervisor and Lighting/Compositing Artist on a wide range of projects. These included feature film work, premium TV advertising campaigns, and large-scale 3D mapping projections for major brands. I collaborated with local studios and also led projects independently, gaining valuable experience in team leadership, creative direction, and managing production pipelines across multiple vendors and tight schedules.
Since 2016, I’ve contributed to major productions while working in Montreal, Canada, with studios like MPC and DNEG. Now back in Mexico, I continue to take on freelance projects and explore new creative and professional opportunities. My focus remains on embracing evolving technologies and staying at the forefront of visual innovation while mentoring others and refining my craft.
Work Experience
Lighting Technical Director
Dneg Montreal
Full-time
May 2019 - April 2024
Montreal, CANADA.
Lighting Key-shot Artist
MPC (Moving Picture Company) Montreal
Full-time
August 2018 - May 2019
Montreal, CANADA.
Lighting Artist
MPC (Moving Picture Company) Montreal
Full-time
August 2016 - August 2018
Montreal, CANADA.
Senior Artist - Animation
Imagica México
Full-time
January 2016 - May 2016
Mexico City, MEXICO.
Chair Professor
Instituto Tecnológico de Monterrey Ciudad de México.
Full-time
August 2011 - May 2016
Mexico City, MEXICO.
Compositing Artist
Ollin VFX
Full-time
March 2011 - October 2011
Mexico City, MEXICO.
CG SupervisorCG Supervisor
Monster GC
Full-time
January 2010 - Diciembre 2010
Mexico City, MEXICO.
Generalist Artist
2Renaissance Design
Full-time
Sptember 2008 - December 2008
Mexico City, MEXICO.
Lighting Artist
Fabrique d'Images
On Call
July 2008 - September 2008
Luxembourg, LUXEMBOURG.
Compositing Artist
Ilion Animation Studios
Full-time
February 2008 - July 2008
Madrid, SPAIN.
3D Designer
PRIMER NIVEL GROUP
Full-time
August 2006 - March 2007
Mexico City, MEXICO.
Opening Credits Designer
Clarity Films Inc
On Call
June 2006 - July 2007
Vancouver, CANADA.
Head of Multimedia
FastUp Video
Full-Time
2002 - 2003
Barcelona, SPAIN.
As a Lighting Technical Director, I contributed to the creation of photorealistic visuals for high-end VFX films, overseeing 3D scene assembly, lighting setups, light rig creation, rendering and optimization to achieve exceptional results. I maintained close collaboration with upstream departments such as Layout, Animation, and FX, ensuring a smooth and consistent handoff of assets into lighting maintaining constant communication with compositing artists to align on visual targets and integration needs. Additionally, I actively mentored junior artists, supporting their growth and train newcomers while upholding the highest quality standards across the team.
Skills: 3D · Compositing · Film · Lighting · Nuke · Linux · Visual Effects · Clarisse · Shotgun
As a Key-shot Artist, I led the creation of photorealistic VFX for high-end films, overseeing final setups, 3D scene assembly, lighting, and rendering of complex shots and sequences. I generated Katana lighting setups, creating both light rigs and reusable Katana templates to streamline production. I maintained close collaboration with upstream departments such as Animation, Tech Anim, and FX, and kept constant communication with compositors to ensure seamless integration and consistency. I also followed up with artists and supervisors on any changes or updates to shots, ensuring that setups remained current and production-ready. Additionally, I helped establish efficient lighting pipelines and mentored junior team members and train newcomers, contributing to high-quality, consistent results across the show.
Skills: 3D · Compositing · Film · Katana · Lighting · Renderman · Linux · Nuke · Visual Effects
As a Lighting Artist at MPC, prior to being promoted to Key-shot Artist, I was responsible for executing photorealistic CG integration with live-action plates by following detailed notes from leads and supervisors. I worked with light rigs provided by supervisors, ensuring accurate lighting and consistency across shots. My workflow involved close tracking of upstream publishes and careful identification of potential issues, which I flagged to the appropriate departments under supervision. I also developed lighting slap comps, along with organized contact sheets that clearly labeled rendered elements, making it easier for compositors to identify and work with passes. Additionally, I regularly presented my work in dailies, clearly communicating what had been completed and what remained in progress for each shot.
Skills: 3D · Compositing · Film · Katana · Lighting · Renderman · Linux · Nuke · Visual Effects
As a Senior Animation Artist at IMAGICA, I specialized in refining motion capture data, cleaning and enhancing character animation, incorporating additional elements to create polished and engaging performances.
Skills: 3D · 3D animation · MOCAP · Film · Autodesk 3ds Max · V-Ray
I contributed to the development of aspiring digital artists and producers as a professor at Tecnológico de Monterrey, the most prestigious technological university in Mexico. For over six years, I taught and mentored students in several foundational courses within the "Licenciatura en Animación Digital" program. During this time, I managed groups ranging from 10 to 20 students, totaling approximately 450 students across nine different courses, helping shape the next generation of talent in the digital arts and animation industry.
Skills: Vicon Blade · Motion Capture · 3D · 3D Modeling · 3D animation · Adobe · Adobe Photoshop · After Effects · Animation · Augmented Reality · Virtual Reality · Compositing · Computer Animation · Digital Compositing · Mental Ray · Modeling · Nuke · Photoshop
As a Compositor Artist at Ollin Studio—the only provider of high-end VFX services in Mexico City at the time—I tackled exceptionally complex tasks such as 2D/3D and camera tracking, rotoscoping, and matte painting. I contributed to major ILM productions like Pirates of the Caribbean and Red Tails, helping establish the studio’s pioneering position in the field through high-precision compositing work.
As a Compositor Artist at Ollin Studio—the only provider of high-end VFX services in Mexico City at the time—I tackled exceptionally complex tasks such as 2D/3D and camera tracking, rotoscoping, and matte painting. I contributed to major ILM productions like Pirates of the Caribbean and Red Tails, helping establish the studio’s pioneering position in the field through high-precision compositing work.
Skills: Nuke · Rotoscoping · 3D · Film · Linux · Maya · PFTrack · Visual Effects · Mocha Pro · 2D, 3D & Camera Tracking · Renderman
In 2010, I served as both Visual Effects Supervisor and CG Supervisor for commercial TV advertising and 3D Mapping performances in Mexico City, overseeing the creation of visual effects, managing CG teams, coordination between studios ensuring the successful execution of projects from concept to final delivery.
Skills: Autodesk maya · Cinema 4D · Nuke · After Effects · Adobe Photoshop · Mental Ray · V-Ray · Module8 · MadMapper
I contributed to a variety of TV3 Catalunya animated screens using Maya and Fusion, including work related to the Champions League final featuring Barcelona, during my time with the studio.
Skills: Autodesk maya · Fusion · V-Ray · Mental Ray
At La Fabrique, I served as a guest Lighting Artist on a unique production that pushed the boundaries of visual storytelling, seamlessly integrating 3D assets created in Maya with hand-painted 2D backgrounds.
Skills: Maya
I was responsible for an entire sequence, overseeing the gathering of rendered elements and ensuring seamless CG integration. I also developed lighting templates and pre-comps that streamlined the workflow for the lighting team. Additionally, I maintained visual continuity and consistency throughout the sequence, ensuring alignment with the show’s overall look and direction.
Skills: Nuke · Autodesk 3ds Max · Cyclope
As a 3D Designer at an agency specializing in events and expos, I was responsible for creating 3D visualizations and designs for a wide range of concert stages and exhibition stands. My role involved developing detailed stage layouts and stand structures that aligned with each client’s brand and event goals. I collaborated closely with event producers and art directors to ensure that all designs were both visually impactful and technically feasible. Using tools such as 3ds Max and SketchUp, I produced high-quality renders and walkthroughs to support client presentations and guide production teams. My designs were tailored to adapt across diverse venues, ensuring efficient space usage and a seamless attendee experience.
Skills: Maya · V-Ray · Adobe Photoshop
This was my first professional project following my studies at Vancouver Film School. I contributed to the design, animation, and rendering of the opening credits for the film Love and Other Dilemmas, produced by Clarity Films, using Combustion and Photoshop to craft a visually engaging introduction.
Skills: Discreet Combustion · Adobe Photoshop
I was in charge of the Multimedia Department, where I handled the editing of corporate videos, logo animation, motion graphics design, and the development of CD-ROM setups for digital catalogs and company branding. My work supported the creation of a strong public image and effective visual communication for various businesses.
Skills: Multimedia · Video Editing · 3D animation · 2D Animation · Adobe Director · Macromedia · Lingo · Premier
